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・ Head Lake (Haliburton County)
・ Head Lake (Kawartha Lakes)
・ Head Lake Water Aerodrome
・ Head Lake, Ontario
・ Head lice infestation
・ Head Light
・ Head light
・ Head Like a Hole
・ Head Like a Rock
・ Head louse
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Head of a Catalan Peasant
・ Head of a Faun
・ Head of a Girl
・ Head of a Halberdier
・ Head of a Philosopher
・ Head of a Tyrant
・ Head of a Warrior
・ Head of a Woman
・ Head of a Woman (Bosch)
・ Head of a Woman (Delacroix)
・ Head of a Woman (Leonardo)
・ Head of a Woman with Turban
・ Head of a Young Woman
・ Head of Administration
・ Head of Arles


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Head of a Catalan Peasant : ウィキペディア英語版
Head of a Catalan Peasant

''Head of a Catalan Peasant'' is an emblematic sequence of oil paintings and pencil made by Joan Miró between 1924 and 1925. Miró began this series the same year that André Breton published his ''Manifesto of Surrealism''. The series was made partly in Paris. For Joan Miró "a peasant" symbolized rural knowledge, and also reflected his Catalan identity.
The Fundació Joan Miró of Barcelona keeps several preparatory drawings for this series.〔(Sketch conserved at the Joan Miró Foundation )〕〔(Sketch conserved at the Joan Miró Foundation )〕〔(Sketch conserved at the Joan Miró Foundation )〕
The work demonstrates that Miró had ties with his homeland throughout his career. Joan Miró created this series in response to the prohibition of the Catalan language by Miguel Primo de Rivera. He was also influenced by the rural environment of Baix Camp. In this series he further develops the language started in works such as ''Catalan Landscape (The Hunter)''. The sequence followed by Miró has been interpreted several times as a progressive simplification of the same scene. Christopher Green, in turn, says that this is not exactly a linear trend toward simplification, but rather a dilemma, an internal discussion between the artist which creates the filled pictorial space.
== Description ==
The series shares the synthetic representation of the figure of a Catalan peasant, by a repetition of symbols such as the triangular head, the beard and red hat (called ''Barretina''), all combined in one pole figure. In this group of oil paintings, Miró outlines the figure of a farmer several times, working with neutral background blue or yellow. As said Margit Rowell, Joan Miró explained his intentions with this work:

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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